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・ Antony Sher
・ Antony Sheriff
・ Antony Silva
・ Antony Starr
・ Antony Stretton
・ Antony Sumara
・ Antony Sumich
・ Antony Anandarayar
・ Antony and Cleopatra
・ Antony and Cleopatra (1908 film)
・ Antony and Cleopatra (1913 film)
・ Antony and Cleopatra (1972 film)
・ Antony and Cleopatra (1974 TV drama)
・ Antony and Cleopatra (disambiguation)
・ Antony and Cleopatra (novel)
Antony and Cleopatra (opera)
・ Antony and the Johnsons
・ Antony and the Johnsons (album)
・ Antony Andrewes
・ Antony Armstrong-Jones, 1st Earl of Snowdon
・ Antony Balch
・ Antony Barrington Brown
・ Antony Beaumont
・ Antony Beevor
・ Antony Bek
・ Antony Bek (bishop of Durham)
・ Antony Bek (bishop of Norwich)
・ Antony Bolsover
・ Antony Booth
・ Antony Brewer


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Antony and Cleopatra (opera) : ウィキペディア英語版
Antony and Cleopatra (opera)
''Antony and Cleopatra'' is an opera in three acts by American composer Samuel Barber. The libretto was prepared by Franco Zeffirelli. It was based on the play ''Antony and Cleopatra'' by William Shakespeare and made use of Shakespeare's language exclusively.
The opera was first performed on September 16, 1966, at the opening of the new Metropolitan Opera House in Lincoln Center for the Performing Arts in New York City. After an unsuccessful premiere, the opera was extensively revised by Barber and Gian Carlo Menotti in an edition first performed in 1975.
==Performance history==
For the premiere, which was also the opening of the new Metropolitan Opera House, no expense was spared. Franco Zeffirelli was hired as stage director. Thomas Schippers was the conductor. The stage design and costumes were elaborate; the cast was enormous including 22 singers, a full chorus, and a troupe of ballet dancers.
The opera was poorly received by the press, and not enthusiastically received by the public (; ). Among the reasons cited for the opera's lack of success were an "inflated production with problematic technical apparatus, gaudy costumes, overcrowded stage forces and a press overly attentive to the social glitter of the occasion" . Less kindly, the 1966 premiere was retrospectively described as "a hair-curlingly awful production. … The night has gone down in the annals of opera as a landmark of vulgarity and staging excess. Mr. Barber’s score, as we discovered from subsequent exposure to revised excerpts in concert and on records, was to a great extent an innocent victim of the over-all fiasco" . The opera was dropped from the Met's repertory after the initial performances of the production.
Barber later revised the opera, with text revisions by Gian-Carlo Menotti, Barber's partner and the librettist of his first opera, ''Vanessa'' . This version was premiered under Menotti's direction at the Juilliard American Opera Center on February 6, 1975 . There were further productions at the Spoleto Festival USA and Festival dei Due Mondi in Spoleto, Italy, in 1983, and the Lyric Opera of Chicago in 1991 .

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